Vladimir Kuchinskiy

Vladimir Kuchinskiy

“Painting should not only carry the image of something, but be spiritualized and meaningful, prompting a person to contemplative reflection.”
In my works, I reveal different aspects and themes of human life and relationships, reflections on the past and the future, on loneliness and the unde ...
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In my works, I reveal different aspects and themes of human life and relationships, reflections on the past and the future, on loneliness and the understanding of its meaning, on extraterrestrial and ancient civilizations, as well as an interest in bylinnye and Vedic themes of ancient Russia.
I was greatly influenced by the great Renaissance master Hieronymus Bosch, as well as a long-standing fascination with Eastern philosophy and Vedic “religions,” the works of E. Blavatsky, K. Castaneda, R. Moody, N. Maharaj, B. Tilak, and others.
My paintings are kept in private collections in Russia, England, USA, Germany, Israel, Poland, Holland, and other countries.

In 1995, the paintings participated in the exhibition of Moscow artists at the gallery on Kashirskaya.
From 1995 to 2007, the paintings were exhibited and sold in galleries and salons in Moscow, including the salon on Kievskaya “Kutuzovsky Prospekt”, the gallery in Kitay-gorod, and the salon on 25 Let Oktyabrya Street.
In 2014, the paintings were exhibited at the gallery Gostiny Dvor.
From 2007 to 2024, I have been painting commissioned works for private collections in Russia, France, and Germany.

In 1976, he graduated from the Moscow Art School, where he studied drawing, painting, and composition under the guidance of the experienced teacher Y. N. Sedyshev.
After graduating from the school, he continued to study in the art studio at the House of Culture named after Chkalov. 


In 1989-1990, he studied at the school of icon painting and restoration under the guidance of G. V. Zhirinkov, a pupil of I. E. Grabar. 

In 1988, he was blessed to work by the bishop of the Russian Orthodox Church, Patriarch Pimen of Moscow and All Russia, which made a significant contribution to his painting style. 

From 1990 to 1995, he painted icons for private individuals and restored icons for churches in Moscow. From the middle of 1995, he switched from tempera painting (partially preserving the technique of icon painting, which can be seen in such works as “The Mother of God” and “Seraphim of Sarov”) to easel oil painting. He studied the works of old masters, various directions, and painting techniques, developing his own individual, easily recognizable style of painting.

Registered: 08.05.2025
Views of the author's works: 578
Author’s works added to favorite collections: 0

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